Hanna Norrna





Morus Silk Symposium 

Röhsska Museum of Design and Craft
Gothenburg
2025

Morus is an international silk community, practicing home-sericulture - meaning the breeding of silk worms in a small scale in one’s home - in order to engage local communities in historical processes regarding future silk production. The aim of the project is to raise awareness of the intertwined relationships between silkworms, mulberry trees and humans, as well as to ask questions about these relationships from artistic, social, ecological and ethical perspectives.

The Morus exhibition in Super-Ö in Röhsska Museum presents artworks and research by seven members of the community with backgrounds in Greece, France, Germany, Denmark and Sweden. During the first weekend of the exhibition, a Silk Symposium takes place, offering a rich program of presentations, readings, workshops and film screenings to create a meeting place around the theme of home-sericulture. The room is filled with stories from women in silk processes – industrial, private, ceremonial, mythological – in the past, today and for the future.

The Morus Silk Symposium and exhibition in Röhsska Museum, celebrates home-sericulture through the work of Giulia Zanvit, Anna Karlström, Maja Lund, Deborah Jeromin, Hanna Norrna, Irini Gonou and Kleopatra Tsali.

Thank you Kulturrådet, Göteborgs Slöjdförening and Wilhelmina von Hallwyls Gotlandsfond and Röhsska Museum of Design and Craft for the generous support.

Photo: Hanna Antonsson




Home-sericulture, as practiced in the Morus Project, is the art of rearing silkworms and producing silk within a domestic or studio setting, using traditional, hands-on methods. Adapting this practice to an urban environment requires the presence of one or more mulberry trees, which leaves are the essential food source for the bombyx mori species. The process involves the careful collection of leaves, attentive care of the silkworms throughout their life cycle and the harvesting of silk cocoons.

Rooted in the essential relationship between silkworms, mulberry trees, and human care, the project promotes a sustainable, locally grounded approach to craft making. By adapting sericulture to home or studio settings, Morus engages a network of international participants who document their parallel experiences through a shared diary, while also developing individual artistic inquiries into ecological, social, and ethical dimensions of silk. Through this collective and multidisciplinary approach, the project aims to raise awareness of the interdependence between species and to question how we might imagine future forms of material culture and coexistence.

Find the full documentation at morusproject.com



Ingeborg (2025)


Silk dyed with madder, pomegranate & iron. A geographical coincidence links an historical mulberry plantation for silk production with a testemony in the Visby Witchtrials (1705-1707). It all begins with Ingeborg Jonsdotter being accused for practicing cures. She is imprisoned and tortured until she confesses that she has been to the underworld, where she learned to cure with herbs and chants. With the help of threads and knots, Ingeborg measures diseases and deciphers their origin. She hangs a green silk thread tied to a bone from goose around a sick person’s neck to cure convulsions. The site where she is taken to the underworld is Slottsbetningen in Visby, an area which 150 years later was transformed into a mulberry plantation. Since the start of the Morus project, the trees in Slottsbetningen have been the main providers of leaves for Hanna Norrnas' silkworms. In her weaving, she uses pomegranate dye for green colour and for reference to the Greek myth of Persephone - captured in the underworld, when tricked by Hades to eat pomegranate seeds.  










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